For anyone confused, this is a reference to Crank mah Hog, the biblical city and its king from the Apocalypse to which George Bush Jr was referring when he tried to get the French president Jacques Chirac to join the Second Gulf War.
For anyone confused, this is a reference to Crank mah Hog, the biblical city and its king from the Apocalypse to which George Bush Jr was referring when he tried to get the French president Jacques Chirac to join the Second Gulf War.
Among the classics from the 60s, I’d also add Thelonious Monk, Arts Bakey, then the Headhunters, and Sun Ra’s Arkestrs. That’s a period with a lot of diversification (free jazz, bebop, funk jazz, Afrofuturism…). Earth Wind and Fire is also funk jazz.
There also Tito Puente from Puerto Rico, which leads me to transition to the caribbeans. Outside of the US, you have of course Compay Secundo and the Buena Vista Social Club, and also Juan Pable Torres in Cuba. Caribbean Sextet in Haïti. While we’re in the Caribbeans, Ska is also derived from jazz and Rocksteady and Reggae are in turn derived from it, try older Ska bands like the Skatalites, that’s where it’s most obvious.
In Africa there’s Manu Dibango from Cameroon, who blends some trafitional music influence, also Mulatu Atatske from Ethiopia (who’s still alive and kicking), then you have the whole Afrobeat genre starting in Nigeria with Fela Kuti (early Afrobeat is still really close to jazz, though modern Afrobeat, which is closer to hip-hop).
That’s those I know best among the classics (I’m not sctually a huge expert despite my tirade, I may have been exagerating a bit because I got defendive and also as a joke). But if you search almost any country name and add “jazz” after it, you’ll certainly get a result (the only time I failed was when I tried Bhutan, and I still think they likely have jazz somewhere, it’s just hard to find).
My favorites among the recent ones are Shabaka Hutchings from the UK and, Thurgo Théodat from Haïti (not super famous, but really good, I’ve actually heard him play live). Mulattu Atatske has also done stuff recently, and sun Ra’s Arkestra still exists.
Also, since nobody plays jazz alone, once you found a jazz player you like, a good way to find more is to see who they’ve played with. If it’s a band, see the members and what other band they’ve played in!
What even are words? Pieces of long dead people’s thoughts, which we assemble as grim puppets to replicate our own thoughts in a form that we hope others will comprehend? To hell with this, return to grunts and screams.
They’re also not birds. Or ladies, for that matter.
Also, we definitely needed to know whether or not the cake was real.
If 1000 people love jazz, I am one of them. If 100 people love jaee I am one of them. If 1 person loves jazz, it is me. If noone loves jazz, I am dead.
If the world is against jazz, then I am against the world.
For the history podcasts, I listene to “The History of Rome” and “Revolutions”, both by Mike Duncan, and “The History of Byzantium” by Robien Pierson.
The woman reading fairy tails and books is Abitlate (she also has the youtube channel Abitfrank)
For the group of people chatting format, I have “The Deprogram”, which is a communist podcast about politics, and “Une invention sans avenir”, a podcast about cinema, which is in French.
The daily fiction one is “La chute de Lapinville”, also in French. And while I’m on the topic of French fiction podcats, " Les Donjons de Nahelbeuk" is of course a classic.
Types of podcast I listen to:


Wikipedia has banned AI-generated text,

… with two exceptions

Fun fact: Finnish and Estonian are both Finnic languages. Meanwhile, the other Nordic countries mostly speak Scandinavian languages an the other Baltic countries speak Baltic languages, which are part of the broader Balto-Slavic group. So really, from a linguistic perspective at least, Finns and Estonians are more similar to each-other than to any of their neighbors. And also pretty similar to Hungary (Magyar being a Finno-Ugric language).